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The Artist

Isabella
Stefunkova Pouzancre

Riyadh, Saudi Arabia

"Paintings that breathe — sculpting light itself through layers of resin and pigment on glass."

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Isabella's portrait

Studio · Riyadh, Saudi Arabia

The Artist

Where Patience
Becomes Luminosity

In a sun-drenched studio in Riyadh, Isabella creates what can only be described as paintings that breathe. Drawing from a life across Slovakia, France, Vienna, and Polynesia, she developed a technique entirely her own — layering transparent resin infused with luminous pigments onto glass, sculpting with light itself.

Each piece requires weeks or months of painstaking labor. One hour of workability, then 24 hours of waiting. Repeat.

The result is a living surface — one that shifts with the hour of day, the angle of light, the season. Not a painting you observe, but one you experience.

A Life in Motion

Each place left its trace in the work

Slovakia
Central Europe · Origins
Where a sensitivity to craft and detail was born — a culture that values patience, precision, and the handmade.
France
Western Europe · Aesthetic Formation
Immersed in the French art world and its language of elegance. The appreciation for fine materials and refined beauty took root here.
Vienna
Austria · Architecture & Ornament
The city of Klimt and the Secession. Surrounded by gold, glass, and ornamental grandeur — a direct influence on the luminous palette that defines her work.
French Polynesia
Pacific Ocean · Light & Translucency
The turquoise lagoons and infinite light of the Pacific transformed how she sees color. The ocean's luminosity lives in every layer of resin she pours.
Riyadh
Saudi Arabia · Studio · Now
Where all of these influences converge. In a sun-flooded studio, Isabella creates works that are simultaneously intimate and monumental.

The Process

A Technique Entirely Her Own

Resin on glass — a medium that demands absolute mastery of time and temperature.

Layer by Layer
Each work is built from multiple transparent pours of resin, each dried for 24 hours before the next. Some pieces involve 20+ layers.
Sculpting Light
Pigments suspended in resin catch and refract light differently at each hour of the day. The work is never the same twice.
Glass as Canvas
Glass — not canvas, not wood — allows light to pass through the work itself. Hung near a window, it becomes part of the architecture.
10+
Years of practice
5
Countries of inspiration
∞
Hours of patience

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